The Reception of Antiquity in “Wuthering Heights” by Emily Brontë

Authors

  • Agata Buda University of Technology and Humanities in Radom

DOI:

https://doi.org/10.15584/sar.2018.15.2.2

Keywords:

intertextuality, reception of antiquity, archetype, dialogics

Abstract

The following paper concentrates on the reception of antiquity in the novel by Emily Brontë Wuthering Heights. The primary concept of the analysis is to exploit such critical tools as: Reader-Response Criticism, dialogics and transtextuality. In this context one can notice such ancient references as: the structure of a labyrinth (prefiguration), the archetype of Hercules, Apollo and gods, as well as the reference to learning ancient languages (revocation). All the references to antiquity are used in the novel in question not only as ornaments, but mainly as the tools to comment on, among others, the social situation in Victorian England.

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References

Brontë, Emily ([1847] 1994) Wuthering Heights. London: Penguin Books.

Buda, Agata (2017) Selected Chapters from the History of British Literature. Radom: Wydawnictwo Uniwersytetu Technologiczno_Humanistycznego w Radomiu.

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Paglia, Camille ([1990] 2006) [Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson] Translated into Polish by Marta Kuźniak and Magdalena Zapędowska. Seksualne persony. Sztuka i dekadencja od Neferetiti do Emily Dickinson. Poznań: BRAMA – Książnica Włóczęgów i Uczonych.

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Stabryła, Stanisław (1996) Hellada i Roma. Kraków: Wydawnictwo Księgarni Akademickiej.

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Published

2018-12-15

How to Cite

Buda, A. (2018). The Reception of Antiquity in “Wuthering Heights” by Emily Brontë. Studia Anglica Resoviensia, 15(2), 25–34. https://doi.org/10.15584/sar.2018.15.2.2

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Articles