Współpraca polskich i ukraińskich uczestników ruchu Dalcroze’a we Lwowie w dwudziestoleciu międzywojennym

Abstrakt

The spreading of schools promotinga new movement in Galicia in the interwar period led to the emergence of numerous centres, in particular, groups of Dalcroze dancers, who formed in various spheres of cultural life separate private courses or schools (professional or purely amateur) and academic disciplines in music educational institutions in the Polish and Ukrainian environments. A worthy amount of Dalcroze dancers, who were educated directly in Switzerland at the Dalcroze School in Hellerau, counted many names like: Zofia Świątkowska, Flora Szczepanowska, Stanisław Głowacki, Paulina Loeblowa, Zoya Koltyn-Krug and Natalia Puluj-Barvinska. There were also dalcroze dancerswhocombined the tendencies of several European schools (I. Duncan, É. Jaques-Dalcroze, M. Wigman, etc.) – Maria Broniewska, Halyna Holubovska-Baltarovich, Viera Zahradnik, Maria Rzeczycka-Waydowa, Daria Kravtsiv-Yemets, Oksana Fediv-Suchoverska, Roma Pryima-Bohachevska and others.

At different times in the Lviv Music Institute named after K. Szymanowski, rhythmics was taught by S. Głowacki, P. Loeblowa Z. Koltyn-Krug, with whom N. Puluj-Barvinska, O. Fedak-Drohomyretska, O. Fediv-Suchoverska also worked at the Lysenko Higher Music Institute. Franciszek Frączkowski taught plastic arts using Dalcroze techniques at the Lviv Conservatory of the Galician (Polish) Music Society, as well as Barbara Wolska (I. Duncan school graduate in Moscow). Zofia Świątkowska also conducted solfege classes with the active application of the principles by É. Jaques-Dalcroze.