No. 4 (2024)

View No. 4 (2024)

DOI: https://doi.org/10.15584/muzpsk.2024.4

Published: 2024-10-10

Full Issue

PDF (Język Polski)

Słowo wstępne

Ewa Nidecka, Jolanta Wąsacz-Krztoń

7
- PDF (Język Polski)
The Reception and Performance of Ludwig van Beethoven’s Instrumental Music in “Ville Lumière” from the late 1820s through the mid–1840s

Temina Cadi Sulumuna

9-31
- PDF
Stanisław Serwaczyński`s (1781–1859) Three Pieces for Violin and Piano in a Historic, Artistic and Pedagogic Context

Iwona A. Siedlaczek

32-56
- PDF (Język Polski)
Romance "Les Adieux" by Theodor Leschetizky – Farewell to Petersburg

Ewa Nidecka

57-67
- PDF (Język Polski)
Metamorphoses for Piano by Edward Sielicki – in the Shackles of Postmodernity and in the Light of Polish Piano Variations after 1989

Marcin Tadeusz Łukaszewski

68-99
- PDF (Język Polski)
Performance Challenges of Contemporary Music – Pianist's Reflections

Paweł Popko

100-109
- PDF (Język Polski)
Instruments in the Liturgy of Catholic Churches in the Districts of the Tarnopol Region in Ukraine

Svitlana Bondar

110-123
- PDF (Język Polski)
Translating an Operatic Libretto: The Status and Role of an Interpreter. Cognitive Linguistics in the Interpretation and Translation of Stage Directions – a Case Study

Agnieszka Muszyńska-Andrejczyk

124-135
- PDF
Streaming. On Experiencing Music During a Pandemic

Mariola Kokowska

136-170
- PDF (Język Polski)