Lviv musicology of the 1950s-1980s and scientific concepts of Stefania Pawlyshyn

Abstract

The conditions and context of the scientific, personal and social activity of Professor Stefania Pawlyshyn are presented - the activities of Polish (Adolf Chybiński) and Ukrainian (Stanyslav Lyudkevych) musicological schools in Lviv, then the model of musicology as communist propaganda in the Soviet period. Against this background, the main principles of Stefania Pawłyszyn's pedagogical and scientific activity are presented, taking into account the traditions of both Lviv musicological schools: Adolf Chybiński and Stanisław Ludkiewicz.The main principles of her scientific and pedagogical concept are distinguished: a vision of music through the prism of philosophical and ethical universals, the principle of stylistic analysis, which ensured a universal understanding of style as the core of musicological interpretation; consistent analogies of Ukrainian culture as an indispensable part of the spiritual world space; an increased sense of the pulse of our times, modernity of scientific thinking, keeping pace with current aesthetic trends; attention to the critical and journalistic aspect of musicological activity.