Dźwięk i krajobraz dźwiękowy w nagraniach historii mówionej – zagadnienia techniczne i badawcze

Anna Maciąg; Seweryn Lipiński

doi:10.15584/eti.2019.2.25

The Sound and the ‘Soundscape’ in the Oral History Recordings – Technical and Research Issues

Authors

Anna Maciąg Uniwersytet Warmińsko-Mazurski w Olsztynie, Wydział Humanistyczny, Instytut Historii i Stosunków Międzynarodowych, Polska https://orcid.org/0000-0001-6177-0461
Seweryn Lipiński Uniwersytet Warmińsko-Mazurski w Olsztynie, Wydział Nauk Technicznych, Katedra Elektrotechniki, Energetyki, Elektroniki i Automatyki, Polska https://orcid.org/0000-0001-9771-6897

DOI:

https://doi.org/10.15584/eti.2019.2.25

Keywords:

oral history, recordings, sound, soundscape

Abstract

The work aim is to describe and reflect on the sound in the oral history recording in three aspects. First, we discuss what affects the quality of audio recordings, and what we can take care of to ensure to get best quality. It will also be discussed what escapes our control. The technical issues regarding equipment and sound control during the recording will be discussed here. In the third part of the work, we will look at what creates the so-called ‘soundscape’ of the recording and what interpretation possibilities it opens for us.

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Published

2019-06-30

How to Cite

Maciąg, A., & Lipiński, S. (2019). The Sound and the ‘Soundscape’ in the Oral History Recordings – Technical and Research Issues. Journal of Education, Technology and Computer Science, 28(2), 176–182. https://doi.org/10.15584/eti.2019.2.25

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Issue

Vol. 28 No. 2 (2019)

Section

SELECTED PROBLEMS OF LIFELONG LEARNING

License

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.