Tmou za láskou. Renarracja Quo vadis w słowackim musicalu

Autor

  • Barbara Szargot Uniwersytet Humanistyczno-Przyrodniczy im. Jana Długosza w Częstochowie

DOI:

https://doi.org/10.15584/tik.2019.37

Słowa kluczowe:

pozytywizm, Sienkiewicz, musical, intertekstualność

Abstrakt

The paper is a description of the Slovak musical based on Henryk Sienkiewicz’s novel Quo Vadis. The analysis has been made  on the basis of the categories of intertextual research proposed by George Genette. Transferring Sienkiewicz’s story into the world of pop culture in case of this musical is done by changing its main subject: now it is love in all its meanings. Looking at this, we can see which elements of the author’s creation seem appealing for the contemporary culture: the word (the widely quoted hipotext), the plot  in a broad outline and the emotion it carries.

Downloads

Opublikowane

2019-12-16

Jak cytować

Szargot, B. (2019). Tmou za láskou. Renarracja Quo vadis w słowackim musicalu. Tematy I Konteksty, 14(9), 599–609. https://doi.org/10.15584/tik.2019.37