Wacław Oszajca’s Poetic Contemplation of Painting Masterpieces

Authors

  • Anna Wzorek Jan Kochanowski University of Kielce

DOI:

https://doi.org/10.15584/tik.2020.29

Keywords:

Wacław Oszajca, ekphrasis, priestly poetry, the classics of European painting, contemporary poetry

Abstract

The article discusses poetic reflection of Wacław Oszajca on the masterpieces of world painting. In his lyric, the priest-poet describes paintings belonging to the classics of painting: Mona Lisa by Leonardo da Vinci, paintings by Rembrandt = (Return of the prodigal son, Sacrifice of Abraham), Hans Memling’s triptych The Last Judgment, and The Last Supper of Salvador Dali. His poems are very short, they are always an attempt to capture the dramatic character of the scene. Among the analyzed poems by Oszajcy, the most interesting, the most valuable one seems to be the work about the image of Rembrandt The return of the prodigal son. It brings accusation of the title character; the author omits important biblical themes - mercy and remorse. Oszajca’s poem describes not only masterpieces of painting, but also serves to recall the lesser known paintings – Crayer or Marian Malarz.

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Published

2020-12-28

How to Cite

Wzorek, A. (2020). Wacław Oszajca’s Poetic Contemplation of Painting Masterpieces. Tematy I Konteksty, 15(10), 387–400. https://doi.org/10.15584/tik.2020.29